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Tuesday, December 1, 2020

Boone County deputies respond to scene in Midway neighborhood - ABC17News.com

Boone

MIDWAY, Mo. (KMIZ)

Multiple Boone County Sheriff's deputies responded to a scene in a Midway neighborhood Tuesday morning.

An ABC 17 News crew near the intersection of Highway 40 and Trails West Avenue said several deputy vehicles had lights on and an ambulance responded to the area.

The news crew said one person who was handcuffed was led into a police car.

Deputies said a man with a warrant was in the area. Authorities included the scene started with a traffic stop.

Columbia police officers and state troopers also responded to the scene.

Columbia Public Schools spokeswoman Michelle Baumstark said staff at Midway Heights Elementary are aware of the police situation and that the district employeesees are safe. She included safety and security teams are in the building as well.

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Boone County deputies respond to scene in Midway neighborhood - ABC17News.com
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Port of Savannah sets monthly record for containerized cargo - The Albany Herald

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Port of Savannah sets monthly record for containerized cargo  The Albany Herald

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Port of Savannah sets monthly record for containerized cargo - The Albany Herald
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Port Of Savannah Sets Monthly Record For Containerized Cargo - GPB

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The Port of Savannah set a record for containerized cargo volume in October, the Georgia Ports Authority (GPA) reported Monday.

The nation’s busiest export hub handled an all-time high 494,095 twenty-foot equivalent container units (TEUs) in October, an increase of 8.3% over October of last year. The October total broke the previous monthly record of 441,600 TEUs set in August.

The tremendous growth Savannah is experiencing is the main reason the authority is expanding the port’s capacity, said Will McKnight, chairman of the GPA’s Board of Directors.

“Our long-term infrastructure investments ensure cargo fluidity as Savannah’s container trade increases,” McKnight said. “By improving our berthing for today’s larger vessels, expanding container storage and doubling our rail lift capacity, we’re making sure the GPA is ready when our customers are ready to grow.”

A prime example of the infrastructure improvements underway at the Port of Savannah is the Mason Mega Rail Terminal, which is now more than 75% finished. In the latest milestone for the project, rail cars began traveling along newly installed track linking the Garden City Terminal’s Chatham and Mason rail yards.

When completed, the Mason Mega Rail Terminal will give the port enough additional capacity to ship goods to cities in the nation’s Mid-South and Midwest regions.

While there’s no guarantee the container trade at the Port of Savannah will continue to increase so quickly, GPA Executive Director Griff Lynch noted the recent growth came during a global pandemic.

“To have achieved all-time record volumes in two of the last three months is a tribute to the hard work and collaboration between GPA and our partners throughout the supply chain,” Lynch said.

Meanwhile, the ports authority also broke a record in October for handling vehicles and machinery units at the Port of Brunswick.

The port moved 78,772 roll-on/roll-off units during the month, an increase of 24% over October 2019. The previous monthly record was set back in April 2015.

This story comes to GPB through a reporting partnership with Capitol Beat News Service.

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BREAKING: Authorities on scene of crash in S. Wichita - KWCH

WICHITA, Kan. (KWCH) - Emergency crews are on the scene of a crash at Meridian and MacArthur in South Wichita. Right now, we know that Meridian is closed (as of 7:45 a.m.) both north and southbound in that area.

Eyewitness News has a crew on the scene, watch for updates as we get them right here at www.kwch.com.

Copyright 2020 KWCH. All rights reserved.

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Port of Savannah sets all time container record in October - Savannah Morning News

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Port of Savannah sets all time container record in October  Savannah Morning News

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In Miami Beach, the Art Scene Has Moved Outdoors - The New York Times

MIAMI BEACH — Jillian Mayer, a Miami sculptor, filmmaker and performance artist, looks forward to early December when Art Basel Miami Beach usually fills the streets with tens of thousands of art lovers from around the world.

“I love it,” she said. “The energy. The excitement.”

Ms. Mayer, 36, has shown her work in the event’s flashy exhibition center, celebrated at the sparkling parties and met up with artists and collectors from just about everywhere.

But with Art Basel going online this year because of the pandemic, there will be no big parties. No rivers of Champagne. No squadrons of private jets. Ms. Mayer is shifting to a quieter scene: She is showing a sculpture at one of 10 hotels the city has organized into a kind of pop-up, open-air museum, tailored to a time of face masks and social distancing.

“We’re not going to be the center of the art world this December,” said Dan Gelber, the mayor of Miami Beach. “But that doesn’t mean we can’t celebrate art in a meaningful way.”

Credit...Rose Marie Cromwell for The New York Times

The hotels — Art Deco and modern ones with Art Deco flourishes — are mostly clustered in about a dozen blocks of South Beach, set up like the galleries of a museum. There’s an installation at this one, a mural at another, with sculpture over there. Instead of clustering in air-conditioned rooms, much of the art is displayed on breezy patios and rooftops, on outside walls and in loggias.

The city began developing the exhibition, which it calls “No Vacancy,” more than two years ago as a way to perk up business in the off-season. When the pandemic came along, it seemed just right, said Brandi Reddick, Miami Beach’s manager of cultural affairs.

“No Vacancy” is the centerpiece of a week of special events in the city, the combined efforts of museums, hotels, the New World Symphony, the botanical gardens and other cultural institutions. It runs through Dec. 12.

The city is spending $150,000 on “No Vacancy,” Ms. Reddick said, most of it in $10,000 payments for each of the artists and for two prizes, one of $20,000, the other of $5,000. In a normal year, she said, Art Basel generates about $16 million for Miami Beach and nearby Miami, the host of many related art fairs.

This year, the city’s hotels were “kneecapped by the pandemic,” Mr. Gelber said, closed for several months in the spring. Since June they have been limping along.

“We’re trying to sustain the hotels and preserve our art and cultural profile,” he said. “But safety comes first. We’re not trying to build crowds.”

Besides the hotel art, the city and the Bass Museum of Art have created Art Outside, a walking tour of two dozen public art sculptures, murals and installations, mostly near the museum in Collins Park.

On Lincoln Road, Miami Beach’s elegant outdoor pedestrian mall, the Miami New Drama theater company is performing a set of seven new one-act plays, “Seven Deadly Sins,” in vacant storefronts and on the loading dock of the company’s Colony Theater at Lenox Avenue, according to Michel Hausmann, the company’s co-founder and artistic director.

Small, widely spaced audiences, wearing headsets, will sit under the stars, watching actors perform behind the store windows. Each store is home to one act of about 10 minutes; at the curtain, the audience moves to the next store and the actors start again.

But much of the focus will be on the visual arts. Ms. Mayer is showing her work on a coral stone patio at The Confidante, a hotel on Collins Avenue.

Her sculpture, made of fiberglass, lumber and cardboard cartons, suggests a fanciful jungle gym. Ladderlike steps lead to a flat rooftop covering a big archway, windows and shelves. A slide curves around one end of the installation. Ms. Mayer has built in a small, solar-powered light and a cup holder with a tall bottle of hand sanitizer. She calls it “Fort.”

“It might remind you of a child’s fort,” she said. “But it’s an artist’s interpretation of a place of refuge — a refuge from harsh rains, blowing wind or sea-level rise, anything that might hurt humans.”

The Confidante is also displaying 23 lithographs and bronze reproductions of work by Salvador Dalí and 20 paintings and sculptures by Miami artists inspired by him.

Credit...Rose Marie Cromwell for The New York Times

Nearby, at the Hotel Croydon, Federico Uribe, 58, a Colombian sculptor who lives in Miami, is displaying his animals — a panda with her cub, a small bear and two foxes, all made of spent bullet casings.

Birgit Rathsmann, 45, a German video artist and animator living in Brooklyn, is projecting a compressed black-and-white video of an entire season of satellite hurricane footage, all swirls and quivering loops, on the facade of the Avalon Hotel on Ocean Drive.

Credit...Rose Marie Cromwell for The New York Times

Two of the artists, Kerry Phillips, 46, a Texas transplant, and Sterling Rook, 36, who grew up in Miami, are showing art made out of things they’ve found on trash heaps.

In a breezeway on a rooftop with a bar and a pool at the Hyatt Centric South Beach hotel, Ms. Phillips, who also prowls thrift shops, has put together an installation of broken-down furniture, like wooden chairs; mirrors; a pair of tufted, gold velvet headboards; old lamps and discarded jars.

Credit...Rose Marie Cromwell for The New York Times

Mr. Rook has framed the entrance to the Rivera Hotel South Beach with an arch of woven palm leaves, the discards of tree trimmers.

He usually paints his weavings with a rainbow of pastels and bright colors. But this time, he said, he chose shades of blue.

“Blue has a calming effect,” he said. “It’s time for calming effects in the world. We’re living in a heightened state of anxiety. I feel blue is called for.”

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Tony Hsieh shaped downtown Las Vegas dining scene - Las Vegas Review-Journal

It’s impossible to deny the impact Tony Hsieh had on the Downtown Las Vegas dining scene. Through the Downtown Project (now known as DTP), Fergusons Downtown and other entities, he helped finance some of the neighborhood’s most successful eateries. Yet even before those investments, he was supporting the local culinary scene.

Chef Dan Coughlin and his wife Shauna Dong were among the earliest beneficiaries of that support, at their pioneering Fremont Street restaurant Le Thai.

“We were a new restaurant opening up in a deserted downtown area, wondering if anyone else sees what we see,” Coughlin says of Le Thai’s opening days in the fall of 2011. “And then (Tony Hsieh) comes around, and makes a huge impact. Because, literally, he was bringing everybody who came into town to Le Thai.”

The couple formed a lasting friendship with the Zappos chief, who officiated their wedding earlier this year. And Coughlin says that even when Hsieh began investing in restaurants of his own, they never saw him as competition.

“We always talked about how, when a new spot opened, it just meant we’re getting closer and closer to seeing a bigger picture of a downtown where you can work, live and play.”

Some of the restaurants that Hsieh helped to finance became influential neighborhood eateries in their own right. Yet he never saw himself as a restaurateur, according to several of his partners.

“He made it really clear he didn’t want to own a restaurant, he didn’t want to run a restaurant,” recalls Natalie Young, who partnered with Hsieh and several other investors early on to create the breakfast and lunch spot Eat. “He was all about — do you, do what you like.”

Cory Harwell, a partner with Hsieh and the late celebrity chef Kerry Simon in Carson Kitchen, agrees. In fact, he says Hsieh was “as far from a foodie as you can ever imagine,” who took a hands-off approach to their restaurant.

“Tony never once asked what the concept was going to be,” Harwell says of their Carson Kitchen partnership. “He never once asked what the name of the restaurant would be. He never once viewed the menu prior to us opening.”

Rather than focusing on the food, the two restaurateurs say, Hsieh was more concerned with the environments they were creating.

“He was very much into creating a space where people can meet,” explains Young. “”He wanted to create spaces where people ran into each other, and could be creative, and share whatever inspired them.”

“He understood the energy, the vibe,” says Harwell. “That’s what attracted him to Kerry: the energy and the vibe that was created by Kerry.”

Sonia El-Nawal, a former Downtown Project chef who opened The Perch in Downtown Container Park and The Market on Fremont Street, echoes their sentiments.

“It was always about the energy,” she says. “That was the biggest takeaway from working with DTP — you created an energy for your customer.”

Harwell also credits Hsieh with having the vision to see how a run-down property, such as the John E. Carson Hotel, still had the potential to become a neighborhood gathering place.

‘We met Tony down there, and we literally had to spray feces off of the doors to be able to even get in the place,” Harwell recalls of the first time he and Simon saw the space that now houses their restaurant. “And it took a lot of vision to be able to imagine what a Carson Kitchen could and would be downtown. And I credit, 100 percent, that vision coming from Tony.”

So does Harwell think Hsieh’s vision has been achieved?

“I don’t know that Downtown Vegas is what he envisioned it was going to be,” he replies. “But it’s a far sight greater than what it was when he began his project. And I think Las Vegas as a whole, and a whole bunch of us individually, will be forever in his debt for the impact that he made — not only on downtown Las Vegas as a community, but on so many of our lives individually.”

Young says she’s one of them, and she’s glad she took the time to express her gratitude to Hsieh while he was alive.

“That guy knew I loved him, and he knew how he changed my life,” she says. “And that’s all that matters.”

Coughlin believes Hsieh’s love of the neighborhood and faith in its potential will continue to be felt for years to come.

“The guy believed in it. He put his money where his mouth is. He was on the streets with everybody. Not a lot of people would do that. And I think that’s why we’ll be talking five or 10 years from now about the impact that he had. I think it’s only going to get better because of him.”

Contact Al Mancini at amancini@reviewjournal.com. Follow @AlManciniVegas on Twitter and Instagram.

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