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Saturday, January 28, 2023

Ask Amy: Our wedding photos revealed the scene I had missed - The Mercury News

Dear Amy: Thank you for the comic relief with all of the questions about brides forcing wedding guests to dress a specific way.

Almost 59 years ago, I walked down the aisle to start a life with my hubby. We were in our late teens.

Naysayers thought we were doomed from the start. Even my parents disagreed with my choice to marry. I paid for my own modest church wedding.

Afterward, as I looked at the amateur pictures, I caught a glimpse of the pastor’s wife in hair curlers.

She thought there would be a need for a witness at this “teen marriage.” (The church was full.)

We’re still married, and I still smile at that memory.

My advice is for guests to “come as you are,” and to be supportive.

A Sweet Home Bride

Dear Bride: These goofy questions would be flat-out funny, if they weren’t so oppressively sad.

Dear Amy: My husband and I have been married for 10 years. We each have two grown children from previous marriages.

My children love and accept my husband as family. My husband’s children have never accepted me.

I met their father years after their parents divorced, so I was in no way a cause of their break-up.

An example of their behavior toward me is when they visit for Christmas each year: They bring their father a gift and wish him a merry Christmas, while they completely ignore me.

I am left sitting there in disbelief.

I’ve spoken to my husband about my feelings, but it doesn’t really help. He says his family is dysfunctional.

What should I do?

Simply Hurt

Dear Hurt: Your husband’s astute observation is that his family is dysfunctional. I assume you’re thinking: “That’s right, Einstein.”

But an accurate description is not a solution.

Your husband seems to be passively standing by while his children humiliate you — and in your own home. You also seem to have lost your own voice.

His children obviously want to have a relationship with him, so he should convey to them that he won’t tolerate this rudeness toward you. If he had done this at the outset of your relationship, they might have been retrained by now.

You’ve asked what you should do about their behavior.

You have absolutely nothing to lose, and so you might take advantage of this post-holiday period to email both of them and say, “I’ve been married to your father for 10 years. I had no role in the breakup of your parents’ marriage, which happened before he and I met. I regret that I’ve been tolerating your rudeness toward me for a decade. I’d like to have a positive relationship with you, but at the very least I do expect you to be polite toward me when you’re a guest in our home.”

Dear Amy: My 98-year-old father died recently. At the graveside service, our business associate (and family friend) of 45 years would not shake hands with my son’s boyfriend.

My son had to introduce his boyfriend twice before our family friend eventually shook his hand.

I’ve always suspected that he is homophobic, though he has never said anything out loud.

I did not witness the interaction, but I know how disrespected my son felt. It was an added anguish to an already stressful day.

And of course, I am outraged and want to contact the family friend and question him about this blatant bigotry.

He usually seems kind and thoughtful, in all other interactions.

My question to you is how should I respond/deal with a close business associate and family friend who demonstrates behavior that I believe needs to be called out?

I am considering sending an email to him, but would like your advice.

Incensed Mother

Dear Incensed: I can think of a couple of legitimate reasons (aside from homophobia) for why someone might choose not to shake someone else’s hand, but your son obviously interpreted this choice as stemming from homophobia — and you do, too.

If you continue to stew on this, you should contact your friend, tell him what your son has told you, tell him that this is upsetting to you, and ask for an explanation.

He might tell you that he didn’t hear your son’s introduction, or that he is reluctant to shake hands these days for fear of passing along or contracting an illness.

You should accept whatever explanation he has offered, with the understanding that you have already conveyed your distress about this.

You can email Amy Dickinson at askamy@amydickinson.com or send a letter to Ask Amy, P.O. Box 194, Freeville, NY 13068. You can also follow her on Twitter @askingamy or Facebook.

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Ask Amy: Our wedding photos revealed the scene I had missed - The Mercury News
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Thursday, January 26, 2023

WATCH LIVE: First deputy on scene testifies in Murdaugh murder trial - Fox Carolina

WALTERBORO, S.C. (FOX Carolina) - Court is set to begin at 9:30 a.m. on Thursday for the first day of testimony in the murder trial of Alex Murdaugh.

On Wednesday, both legal teams selected a jury and gave opening statements.

We will live stream the trial in the FOX Carolina News streaming and mobile apps, and on the FOX Carolina website.

You can bookmark this web page to return to the latest live trial coverage each day.

Sgt. Daniel Greene of the Colleton County Sheriff's Office, the first deputy on scene of the...
Sgt. Daniel Greene of the Colleton County Sheriff's Office, the first deputy on scene of the Murdaugh double murder, holds up a shotgun he secured at the scene from Alex Murdaugh.(Pool)

Please note, the live stream may be muted for several minutes at a time when attorneys approach the bench to discuss confidential information with the judge.

LIVE BLOG

Below are live updates from the courtroom:

Murdaugh is accused of killing his wife, Maggie, and his youngest son, Paul. The victims were shot to death on the family’s hunting property in Colleton County in 2021.

For complete coverage of the investigations connected to the Murdaugh family, click here to visit the Murdaugh Trial section at FOXCarolina.com.

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Judge orders crime scene, autopsy media into sealed evidence in Murdaugh trial - Live 5 News WCSC

COLLETON COUNTY, S.C. (WCSC) - In the most recent filing in the highly anticipated Alex Murdaugh murder trial, the presiding judge has ordered all crime scene, autopsy photos and videos into sealed evidence.

The filing, which is a joint motion from the state and defense, seals photos and videos that would graphically depict the victims.

RELATED: Day 3: Murdaugh jury seated, opening statements conclude

The media can still be offered as evidence by either party as seen by the jury; however, prosecutors will have to describe generally the nature of the photo or video being introduced under the seal.

Signed by Judge Clifton Newman, the one-page document states the reason for this order is to provide a fair trial for both parties and to prevent further emotional distress to the victims’ families.

Any evidence offered or accepted under the seal cannot be copied, reproduced, disseminate photographed, or otherwise made available to the public.

It is possible for the court to later unseal any sealed evidence.

The 54-year-old Murdaugh is accused of killing his wife, Maggie, 52; and their youngest son, Paul, 22; at the family’s rural hunting property on June 7, 2021.

His trial continued Wednesday afternoon with opening statements from the prosecution and defense after 12 jurors and six alternates were selected earlier in the day.

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January 26, 2023 at 05:45AM
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Alex Murdaugh appears emotional as defense, prosecutors discuss crime scene photos - WCBD News 2

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Alex Murdaugh appears emotional as defense, prosecutors discuss crime scene photos  WCBD News 2

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Mom Accused of Strangling 2 of Her Children in Duxbury, 3rd Child Still in Hospital - NBC10 Boston

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Mom Accused of Strangling 2 of Her Children in Duxbury, 3rd Child Still in Hospital  NBC10 Boston

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Julia Louis-Dreyfus Says She's Watched Son's Sex Scenes on Sex Lives of College Girls : 'Dynamite' - Yahoo Entertainment

LATE NIGHT WITH SETH MEYERS -- Episode 826 -- Pictured: (l-r) Actress Julia Louis-Dreyfus and son Charlie Hall on April 16, 2019 -- (Photo by: Lloyd Bishop/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)
LATE NIGHT WITH SETH MEYERS -- Episode 826 -- Pictured: (l-r) Actress Julia Louis-Dreyfus and son Charlie Hall on April 16, 2019 -- (Photo by: Lloyd Bishop/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)

Lloyd Bishop/NBCU Photo Bank/NBCUniversal/Getty

Julia Louis-Dreyfus supports her son's career, even when it means watching uncomfortable scenes.

The Veep alum, 62, visited Jimmy Kimmel Live on Tuesday, where she told the talk show host what it's like watching son Charlie Hall — who is currently on HBO Max's hit series, Sex Lives of College Girls — in sex scenes on the show.

"That's a racy show," Kimmel commented.

"It's a very racy show," the actress, 62, agreed, revealing she had seen him in the series.

"I did watch the show and I think he was, you know, really great," she shared. "He was adorable. He was f------ some girl in the library and I thought it was dynamite."

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RELATED: Julia Louis Dreyfus Brings Son Charlie to White House State Dinner — See the Sweet Photos!

The Seinfeld alum shares Charlie, 25, and son Henry, 30, with her husband of over 30 years, Brad Hall.

Earlier in 2020, Hall dipped his toes into the acting pond with a four-part comedic web series, Sorry, Charlie, which he also wrote and directed alongside his friend and former Northwestern University classmate, Jack Price. He later made his film debut in the Amy Poehler-directed movie, Moxie in 2021.

Last month, Charlie joined his mom at the State dinner in Washington D.C., hosted by President Joe Biden and First Lady Dr. Jill Biden.

Actress Julia Louis-Dreyfus and her son Charlie Hall arrive for the White House state dinner for French President Emmanuel Macron at the White House on December 1, 2022 in Washington, DC. The official state visit is the first of the Biden administration.
Actress Julia Louis-Dreyfus and her son Charlie Hall arrive for the White House state dinner for French President Emmanuel Macron at the White House on December 1, 2022 in Washington, DC. The official state visit is the first of the Biden administration.

Nathan Howard/Getty

The Bidens welcomed French President Emmanuel Macron and his wife, Brigitte Macron, for the first State dinner of the administration. The actress and her younger son were two of 400 VIPs who attended the event.

For their evening out, the actress looked chic in a floor-length, black velour gown which she paired with gold accessories and a matching clutch. Charlie kept it classic in a black tuxedo and bowtie.

In sweet photos from the night, Louis-Dreyfus and her son smiled and held hands as they entered the event.

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Wednesday, January 25, 2023

Georgia's surprising LGBTQ+ scene - BBC

In socially conservative Tblisi there is a thriving LGBTQ+ scene, with comedy, clubbing and art at its core. James Jackson meets some of the key players.

Nata Talikishvili never wanted to be a comedian. With a career that ranges from sex worker to club bouncer, Talikishvili uses her acerbic humour to expose society's hypocrisy, telling true stories that make light of her own difficult experiences as a trans woman in the transphobic culture of Georgia. She turns up to her interview with BBC Culture an hour late, waving a fan coquettishly, and her comic talent oozes out to such an extent that the translator keeps bursting into laughter during our conversation.

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One of the main targets of her stories are the country's Orthodox priests, who according to Talikishvili are both key culprits in whipping up Georgian society's hatred, and at the same time, she jokes, make up a large chunk of her client base. An annual march for family values organised by the Church is one of her busiest working days she says, because so many priests visit Tblisi from the countryside. "I bless them in the morning and then send them to the demonstration," she quips.

Comedian Nata Talikishvili uses her acerbic humour to highlight Georgian hypocrisy (Credit: David Koridze)

Comedian Nata Talikishvili uses her acerbic humour to highlight Georgian hypocrisy (Credit: David Koridze)

In Georgia violent marches against LGBTQ+ people attract tens of thousands on to the streets, and hateful diatribes on TV and social media. According to a recent survey, 84% of Georgians think same-sex relations are always wrong, making it, according to these survey results at least, one of the most homophobic countries in Europe, even more than neighbouring Turkey.

Yet in the Georgian capital Tblisi there is a thriving, tight-knit underground LGBTQ+ scene, spearheaded by techno clubs such as Bassiani but also spreading into cinemas and galleries and onto stages. Georgia's vibrant and hedonistic culture was moulded and repressed by the socially conservative Soviet Union that it became a part of in 1922 until its disbanding in 1991. It is only now that people are reclaiming and reviving this heritage in Georgian culture and art.

When Talikishvili was five, living in a remote Georgian village, she announced to the world that she was a girl. In such a traditional and religious country, it was considered remarkable that her grandparents supported her decision and raised her happily as a girl. But when they died, she had to move to the capital of Tblisi to make a living. Aged just 14, she says she felt she had no option but to start sex work.

Giorgi Kikonishvili founded Tblisi's first LGBTQ+ club night – he says that the city is becoming gradually more open-minded (Credit: Iris-saane van der Aar)

Giorgi Kikonishvili founded Tblisi's first LGBTQ+ club night – he says that the city is becoming gradually more open-minded (Credit: Iris-saane van der Aar)

"It was really difficult," she says, dropping her jokey manner for just a moment. Many landlords refuse to rent to trans people, she explains, and so a lot are forced to live on the street. There was even a lot of division among the trans sex workers. "Back then it was wild, everyone was against each other. I was just trying to survive." And though the red light district was far from safe, it was also the only place Talikishvil could express herself as a woman.

On the street, things are now much safer for LGBTQ+ people in Georgia, but much of the public debate takes place on Facebook. Someone will share a transphobic video saying that they will kill trans people and threatening their lives, says Talikishvi, then she will comment and post a screenshot of them asking her for sex. "The videos usually disappear afterwards," she notes wryly. "These men [clients] are not from an alien planet, they are part of Georgian society."

Alongside sex work, Talikishvili worked for years as a club bouncer, earning just 60 lari (the equivalent of about £20) for a whole night shift, which could last until 11am. "I did it to show the people who would come that there is nothing scary about being trans. I did it as [a kind of] activism. Even inside the queer community, and queer groups on social media, there was a lot of transphobia before. The community has to overcome [that] because if even the queer community can't then who can."

One evening while working as a bouncer at a club, she went inside to see some friends and started chatting and gossiping. A crowd gathered organically, listening to her tales. The club's owner went looking for Talikishvili, and when she saw the throng of people around her, she knew that she had to get Talikishvili on stage. She is now performing fortnightly. That club was Bassiani, a hub for Tblisi's underground scene.  

"Our original goal was not just a techno club," says Giorgi Kikonishvili, founder of Georgia's first LGBTQ+ event, Horoom Nights at Bassiani, which started in 2016, "but a kind of underground base for all sorts of social movements in Georgia… those of queers, women, the left, the green movement. So the DNA of the club is not just music and techno, we see the club as a political place."

Though named after an all-male Georgian martial dance, Khorumi, the nights, soundtracked by house and techno, wouldn't be out of place in Berlin. Kikonishvili tells BBC Culture he was inspired by a huge homophobic counter-demonstration in 2013, when 20,000 protesters trapped him and about 30 other activists in a bus. "I knew at that moment I had to emigrate or change my country." He opted for the latter, launching an array of cultural and political projects. "Half of Georgian society now thinks gay people should be allowed to protest publicly," he says. "Ten years ago we could have fitted all the people who thought that in this room."

Bar owner and drag-show director Nia Gvatua is a central figure in Tblisi's thriving LGBTQ+ scene (Credit: James Jackson)

Bar owner and drag-show director Nia Gvatua is a central figure in Tblisi's thriving LGBTQ+ scene (Credit: James Jackson)

During the day, Kikonishvili works with artist and activist Tekla Tevdorashvili and others at the Fungus Gallery, an LGBTQ+ art collective and gallery in a quiet corner of Tblisi that invites artists from across the Caucasus region. Tevdorashvili says it is hard to understate the importance of club culture in these social changes. "Nightlife changed the whole context of how Georgian society perceives queer people. Clubs were the first place to offer them a safe space, and now the attitude people have in the clubs is shifting to daylight."

Another hotspot for Tblisi nightlife is Success bar, the only gay bar in the entire Caucasus. Its owner Nia Gvatua initially just wanted to redecorate the somewhat dingy place so that she could make it worth visiting for the local community. Five years ago, after asking around, she was invited to meet with a local businessman, who proceeded to open his safe and gave her $20,000 cash on the spot. She set about transforming the bar into a cultural hub. "When I began, it was more about aesthetics. I was really into electronic music for many years, so when I began, I was more focused on which DJs I wanted to book and what cocktails I wanted to make." A linchpin of the Tblisi LGBTQ+ scene who has shared style tips with Vogue, Gvatua documents the scene with photography, and directs drag shows at Success, Bassiani and other venues.

Resistance and resilience

But Tevdorashvili and others wanted to get involved in more than just clubs, so they set up Fungus, where they recently put on Resilience, a group exhibition of photography and multimedia art dedicated to trans women. Named as such because fungus comes from the dark underground, Fungus's motto is "we thrive wherever we get even a little chance to grow," and it's located next to Clara's bar, where Talikishvili performs fortnightly. Though the reception from the locals was initially awkward, things have warmed up a lot recently, with one man coming recently to tell them "respect from the neighbourhood!".

For Tevdorashvili, this need for safe spaces is all too real. A few years ago she put an art installation up in a public park days before the annual church-organised "day for family purity". The installation was a rainbow-coloured box entitled "Closet", with handwritten notes from the LGBTQ+ community, which played a speech and then the Diana Ross song Coming Out. She had only told a few trusted blogs about it in advance, but it was attacked by a far-right activist within just a few hours of being up. Tevdorashvili recognised him from demonstrations. The police came but they advised against putting the artwork back up. This was a setback, she says, but not a defeat: "What we artists and activists has gone through have only made us stronger."

Kikonishvili agrees. "It's not like homosexuality was invented in Georgia after the breakup of the Soviet Union," he laughs. Though it was briefly made legal after the October revolution, Joseph Stalin (born in Georgia as Iosip Jugashvili) criminalised homosexuality again in 1934, with the strong support of author Maxim Gorky. (The freedom of same-sex sexual activity was not officially enshrined in law in Georgia until 2000, and, of course, despite that legality, social acceptance has been another matter.)

Kikonishvili points to the Berikaoba festival, which he says is celebrated across the country by cross-dressing, drinking and feasting, as well as the popularity of gay Georgian cultural figures like the famed Tblisi-born director Sergei Parajanov and traditional dancer Vakhtang Chabukiani, as evidence of the shallow roots of contemporary homophobia in Georgia. "Chabukiani is the most beloved Georgian dancer ever, and he was gay and everyone knew it." Parajanov, however, was persecuted by the Soviet authorities for his sexuality as much as for his subversive filmmaking.

Sandwiched between Russia and Turkey, with its own alphabet, and a long history of visiting traders from the Silk Road, Georgia was known for scenes of hedonism at its sulphur baths in Tblisi, and has the oldest wine culture (viniculture) in the world. 

David Apakidze is an art historian and co-curator of Fungus art collective and gallery (Credit: James Jackson)

David Apakidze is an art historian and co-curator of Fungus art collective and gallery (Credit: James Jackson)

David Apakidze, co-curator of Fungus and art historian, agrees. "We are trying to tell the true history of our art. In the Soviet Union a lot of queer artists were hidden. Some art researchers reclaimed them and took their art from archives, but no one says they're queer." Apakidze's book, 100 Years of Georgian Queer Art, is due to  come out later this year.

"There are a lot of things that can be reclaimed as queer," says Apakidze. "Theatre and costume designer Petre Otskheli was killed in the 30s by the Soviet regime. Elene Akhvlediani, a famous Georgian painter, was a lesbian woman wearing men's clothes, and no one says she's queer."

Many of the most famous LGBTQ+ Georgian artists today find themselves living outside the country, though they sometimes take their experiences of homophobia with them. Balenciaga's lead designer Demna Gvasalia, recently told New York Times Style "growing up in a country where I couldn't say I was gay, I always tried to look like the kind of tough guy who would survive in the neighbourhoods where I lived. I can't go back to Georgia because people have threatened to kill me if I return… my own uncle is one of them."

Levan Akin's 2019 film, And Then We Danced depicted a gay romance among young dancers at the prestigious Georgian National Ensemble. Like Giorgi Kikonishvili, he too was inspired by the homophobic riot in 2013. By origin Georgian, Akin was a frequent visitor there growing up and speaks the language, but grew up in Sweden, where he still lives now. His film scandalised conservatives in Georgia by combining the national dance with a gay coming-of-age drama, inspiring protests across the country. While filming they had to lie about the film's content because the plot was so controversial.

His new film Passage, which comes out later this year, tells the story of a Georgian woman who travels to Istanbul to find her niece, a trans woman. "The genesis of the idea came when I heard a story while doing research for And Then We Danced about the relative of a trans woman who was the only one standing by her. This made me think of telling a story from the perspective of a family member, showing their journey and growth." He notes that the success of And Then We Danced has made it harder to film surreptitiously this time. 

Viewers of the 2019 film may be able to recognise Nata Talikishvili, who plays herself in a cameo role. Akin told BBC Culture that Talikishvili is "a natural actress" as well as "very witty, and candid", and while researching the film he talked with her to learn more about queer life in Tblisi.

Discussing the possibility in the future of joining the many trans people who have left Georgia for asylum in Europe, Talikishvili mentions how she loves Ireland's pub storytelling tradition. When I mention that Ireland is quite a conservative country, she smiles – "that's fine. I am a conservative woman". 

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